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Ivory finally suggested Guadagnino join him as a co-director.

“But nobody believed in this concept,” Guadagnino sighs. But nobody believed two filmmakers could make a movie together—unless they were brothers, or a pair to begin with.” Guadagnino could be fast and nimble in a way Ivory wasn’t practiced in.

“It was important to me to make this happen for James. He was used to tight shoots and compressed schedules, and that would be attractive to financiers.

It soon became undeniable: if this movie was going to go ahead, Luca Guadagnino would have to step up. We did it because we wanted to do it.” So what was it about this story that inspired such fevered devotion, and yet such hesitation to take the reins?

He started where he usually does; he leaned into his cinephilia.

The films that sprang to mind: Jean Renoir’s A Day in the Country, Bertolucci’s La Luna, Rohmer’s 80s films like The Green Ray and Pauline à la Plage (Call Me is set in 1982).

“I knew the emotional journey they were going through.

Butterflies in the stomach is the most beautiful feeling you can feel, no?

We congratulate all selections and look forward to seeing you there.

Producers Peter Spears and Howard Rosenman had optioned the book before it was published in 2007, and were working with another director to mount the project.

They had reached out to Guadagnino because the book is set in Italy and he knew the filmmaking landscape of his home country.

Clients, colleagues and participants interested in setting a meeting, please email our Creative and Market Coordinator, Josh Blank to schedule a time. “It was not about falling in love,” he says of the ultimate decision he made to direct his new film, Call Me by Your Name.

“I fell in love once in my life, and I have been with the same person since.

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